Thanks for an engaging reply - unfortunat
ely I am not able to attach a reply to it, so I'm putting my comment here...
On a similar topic, in a seminar on issues in avant-gard
e music, a participan
t asked new music composer Pauline Oliveros how one can tell whether or not a new work of "difficult music" is good. She answered that one thing to consider would be whether or not you would like to hear it again.
I read your comments twice :-)
Read the Article at HuffingtonPost
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