Frank Rich on Declinist Panic in America -- New York Magazine: the Emancipation Proclamation was exhibited to segregated audiences...
"The American Way was promoted in every medium available, from billboards to Superman comics. One representative stunt in 1947 was the Freedom Train, a
red-white-and-blue locomotive christened the
Spirit of 1776 and charged with barnstorming the nation to exhibit a bounty of historic and patriotic documents. The project was promoted by Harry Truman’s attorney general, Tom Clark, financed by major corporations, and packaged by movie and advertising executives. The mission was to demonstrate to one and all that America “was unified, consensual and inclusive”—or, in other words, a nation adhering to “the vital center,” a term that would be coined by Arthur Schlesinger Jr. in 1949. The launch was celebrated in Philadelphia to capitalize on the 160th anniversary of the Constitutional Convention, with an Independence Hall jamboree of patriotic songs and speeches broadcast on NBC. But though the train would chug on for sixteen months, it was nearly thrown off-track by one dispute after another. Some of the exhibition documents—including copies of the Fourteenth and Fifteenth Amendments and of William Lloyd Garrison’s abolitionist newspaper
The Liberator—were dumped. The Gettysburg Address survived the cut, but by being paired with an 1865 address by Robert E. Lee. Attempts to permit white and black viewers in the South to mix freely were met with resistance, with the consequence that at a few stops, the Emancipation Proclamation was exhibited to segregated audiences. Even the choice of “freedom” as a rubric was a carefully considered avoidance of the more contentious “democracy.”
